Four Twitter Observations

One:  Twitter is actually a lot of fun.  I suspect this is part of its popularity.  Things to enjoy include putting a whole page worth of data into 140 characters (Haiku for modern times), hearing engaging snips about your friends’ days (and yes, what they had for breakfast is generally noise.  But there are clever fun updates like sold a story, got a ticket and the cop was cute, walking on the beach in Hawaii, found a new way to use Twitter….).   There’s also art out there:  Fiction flashforwards at Outshine.  For those who think tweets are not haiku enough, there’s always Twitter Haiku.

Two:  Twitter is making changes in the world bigger than 140 characters.  I was at a meeting of local CIO’s and the presenters mentioned that Twitter was driving their social media efforts, including the blending of departments.  Twitter is becoming a choice application for emergency management departments in governments.  I heard a story (unverified) that a JetBlue customer sent a Twitter complaint and a stewardess was by his side in moments helping him out.  I did find an interesting article on corporate Twitter accounts that included JetBlue.  And then there was that revolution in Moldavia.

Three:  Business models are being built on Twitter.  Just look at the list of Twitter applications.   Tweet Stats says I tweet 2.7 times per day.  That’s not very much, but in spite of that, Twitter Grader gives me a 93 out of a hundred, and ranks me at 132,139 out of 2, 120, 676, apparently based on some analysis of who I follow and who follows me.  And that list is really just end user applications.  I hear rumors of many corporate apps.

Four:  Twitter cannot die.  I mean, of course it can.  I’m a futurist, after all.  Just like we bought into the Internet gold rush ten years ago (what fun!  VC for everyone, and private jets for all geeks), and the housing bubble (it can’t go down, buy and flip, buy and flip!), we’re in what may be a Twitter bubble.  There is no business model.  We are all having great fun and many people are making peripheral money from Twitter, but the company itself hasn’t figured it out yet.  Twitter has been a surprise success from day one, and so a rabbit may appear from Twitter’s hat, but short of that it’s going to have to go to Google or Microsoft or some other corporate data manager.  Maybe Amazon?  At that point, it may lose its cool new start-up cache.  Still, that might be better than a popped Twitter bubble.  An awful lot rides on those 140 character Tweets these days.

One Response so far

  1. 1. Pallavi

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Reading the Wind by Brenda Cooper

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Audio promo:

"Brenda Cooper's newest novel is a feast of character and concept. She depicts the devastation of war on microcosmic and macrocosmic levels, and even more so, the driving motives of young men and women caught in deadly conflict. Cooper is a master explorer of the interaction of society and individuals. She probes the psychology of her genetically enhanced characters with both rare depth and fidelity to scientific plausibility. Moral conundrums drive the plot in this unforgettable narrative. Don't miss this compelling work by a major new talent." - Mary A. Turzillo, An Old-Fashioned Martian Girl.

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The Silver Ship and the Sea by Brenda Cooper

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Audio promo:

"The first solo novel by Larry Niven's Building Harlequin's Moon (2005) coauthor portrays the thoroughly convincing human colonial society on Fremont, a dangerous planet rife with vicious predators, frequent earthquakes, and falling meteors....Distinctive characterizations, well-limned interrelationships, and the vividly realized Fremont contribute to an exciting coming-of-age story with a strong message about the evils of prejudice." - Sally Estes, Copyright American Library Association.

Mass Market Paperback, July 2008.
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"Fans of both hard and softer, psychological SF will welcome veteran Niven and newcome Cooper's well-written tale of a 60,000 year layover in space, in which physical challenges of world building are matched by the social challenges of collaboration among disparate groups." - Publisher's Weekly

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