World Fantasy Report

This was my second World Fantasy, and it has definitely become my favorite convention.  I waited a few days to let the experience sink in a bit.  A few observations:

The awards are administered differently than the Hugos.  It’s partly a voted choice, but mostly a long slog through almost everything “Fantasy” written all year.  The result is that the awards often end up going to works based more on merit and uniqueness than on commercial success or having a wide readership.   Kudos to the judges, who clearly did a lot of work.

I am loosely associated with Patrick Swenson’s Fairwood Press as the secretary of his Board of Directors (which means I take minutes once a year, not that I’m directly involved with the books).  I worked the table for him a few times at this convention.  That was a lesson.  Over half the dealers were booksellers, and my guess is half of the booksellers are “small” presses of various sizes.  They work.  Behind a table is a great place to be (I saw a lot of people I would have otherwise missed and collected and traded out many hugs and greetings), but those sales come hard.  They came one or two or three books an hour in that venue.  The small presses are pretty agile, and they’re all doing well with the Internet and social media, which is more than I can say for some New York publishers (although, finally, almost everyone gets it).  Anyway – lots of action and experimentation, but in the end, the sales are book by book by book.  By the way – why is a small press a “press” and a New York outfit a “publisher?”

Jay Lake did a great job as Toastmaster.  I’ve only seen him do that for small conventions before, and I must say he scaled well.

Pretty much everyone is there.  This time, I ponied up for the next two on the spot.  This is a good party not to miss.  It has replaced Worldcon at the top of my affections for conventions.  There is time to get into long conversations, the programming is great, and it’s less of a “how many panels can you get on” game.  The mass signing is run very well.

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Books

Wings of Creation by Brenda Cooper

Reading the Wind cover image

Available November 10th, 2009 from Tor Books.

Reading the Wind by Brenda Cooper

Reading the Wind cover image

Audio promo:

"Brenda Cooper's newest novel is a feast of character and concept. She depicts the devastation of war on microcosmic and macrocosmic levels, and even more so, the driving motives of young men and women caught in deadly conflict. Cooper is a master explorer of the interaction of society and individuals. She probes the psychology of her genetically enhanced characters with both rare depth and fidelity to scientific plausibility. Moral conundrums drive the plot in this unforgettable narrative. Don't miss this compelling work by a major new talent." - Mary A. Turzillo, An Old-Fashioned Martian Girl.

"Brenda Cooper tells a tale of a powerful brother and sister in a fight for their lives, offering insights along the way into the nature of courage and the hunger for community that burns in every human being. This is a lively book, full of colorful images and a memorable cast of human and animal characters, a worthy successor to The Silver Ship and the Sea." - Louise Marley

Available in July, 2008, from Tor Books.

The Silver Ship and the Sea by Brenda Cooper

Silver Ship and the Sea cover image

Audio promo:

"The first solo novel by Larry Niven's Building Harlequin's Moon (2005) coauthor portrays the thoroughly convincing human colonial society on Fremont, a dangerous planet rife with vicious predators, frequent earthquakes, and falling meteors....Distinctive characterizations, well-limned interrelationships, and the vividly realized Fremont contribute to an exciting coming-of-age story with a strong message about the evils of prejudice." - Sally Estes, Copyright American Library Association.

Mass Market Paperback, July 2008.
Included by Booklist as a "Best Adult Book for Young Adults."

Building Harlequin's Moon by Brenda Cooper and Larry Niven

Building Harlequin's Moon cover image

"Fans of both hard and softer, psychological SF will welcome veteran Niven and newcome Cooper's well-written tale of a 60,000 year layover in space, in which physical challenges of world building are matched by the social challenges of collaboration among disparate groups." - Publisher's Weekly

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